FILMEXPLORER.CH on LinkedIn: The Boy and the Heron (2024)

*I know I am late with this*Foreword: The world is astoundingly complex, we live today in times of unprecedentedly severe threats to our (dignified) existence, and there is so much to be done in so many areas. At the same time, it feels deeply exciting to be a contemporary of the #Barbie film, which I perceived as a great reminder of the freedom people have achieved (ie fought for) to openly share perspectives. The film has definitely made me realize how much I don't understand about others' perspectives and predicaments. Hopefully, I will now be more open to them.I invite everyone who has not yet seen them film to do so with full dedication. Because also, it is just a darn good film, with a good story (yes, basic at times), and very good acting. And yes, SPOILERS in the article.

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"The Mothering Heart" stands as a testament to the enduring power of silent cinema, a medium that transcends spoken language to touch the soul. Directed by the legendary D. W. Griffith in 1913, this short drama film delves into the complexities of the human spirit, masterfully capturing the essence of motherhood and the inexorable strength found within it. Though over a century old, the film's narrative remains timeless, evoking a profound sense of empathy and connection.Preserved in the hallowed halls of the Museum of Modern Art's film archive, this cinematic treasure continues to inspire and move audiences. Its preservation is not merely about maintaining a piece of film history but about keeping alive the emotional depth and artistic beauty that it represents. The film serves as a poignant reminder of the silent era's ability to convey powerful stories through gesture, expression, and the pure visual storytelling that forms the bedrock of cinema as we know it today.The existence of "The Mothering Heart" in the modern era is a blessing, providing contemporary viewers a window into the past where every frame is a canvas and every movement a brushstroke of human experience. To watch it is to be reminded of our shared humanity, the struggles and joys of life, and the universal bond of motherhood that knows no bounds of time. It's a deeply emotional experience, encapsulating the grace and resilience of the human heart.

In this post in the Celluloid Christ series, I look at "La Passion," an 1898 film by Louis Lumière and Georges Hatot

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#ReturnToSeoul is an aching exploration of the concept of Home and the scarred metamorphosis of a conflicting character that makes for a fascinating character study, in what ended being a brilliant watch! Full Review Link :https://lnkd.in/djh55AxN#Movies

Upon watching Bella Tarr's 'The Turin Horse,' I perceived it as a craft taking a step forward to delve into life, bridging the gap between the heavily craft-based nature of cinema and the reality it seeks to depict. Despite having a seemingly simple story, which I prefer to term as 'life,' the film masterfully portrays it with the utmost authenticity. The concept of monotony, reflected through the lives of the father and daughter, might appear slow-paced, yet I view it as a reflection of our own routines, inviting us to revisit our own monotonous aspects.The repetition technique, often seen in various films, takes on a different dimension in this cinematic piece, as it mimics the subtle variations we experience in our daily lives. The brilliance lies in the fact that each repetition is framed distinctively, generating a sense of anticipation for the viewer. This technique adds a touch of novelty even to the mundane, making it engaging from a craft perspective.Regarding the film's thematic exploration, it reminded me of observing the mundane facets of our existence, which can often lead to a sense of weariness. The narrative evolves as we adapt to changes or the world around us adapts to us, eventually leading to a point of exhaustion—a point of remaining unchanged, akin to 'death.' This parallels the horse's existence, unchanged and static. The humans in the film adapt themselves over the course of five days, but the ambiguous ending on the sixth day questions their resilience and ability to confront change, encapsulated in the closing line, 'we should eat.' This, I believe, mirrors the experiences we encounter in our lives.The film redefines cinema, treating each shot as a scene rather than a sequence of shots. The scene with the Bible or the character visiting a store and declaring 'gods are dead,' followed by the father's dismissal as 'stupid,' underscores their reliance on themselves and their spiritual connection as a source of hope. The resistance to change arises when they face survival challenges.These interpretations represent my view on the film, aiming to encapsulate its depth and complexities."

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Hi Friends, here's my review of the 'Imminent Arrival' short film. You can see full short on You TubeSci-Fi Short Film "Imminent Arrival" | DUST https://lnkd.in/gU-8jxpG"Imminent Arrival" - A Riveting Descent into Paranoia, Woven Through Conspiracy Theories and IsolationIn a world where the notion of extraterrestrial encounters captures the collective imagination, "Imminent Arrival," an insightful sci-fi narrative penned by Quddus Ajimine and skillfully directed by Justin Kruse, delves into the depths of collective alien invasion psychosis portrayed through a hero entangled in a relationship with e-commerce technology and his own fearful reactions to the unknown. Starring James MacDonald as Richard W. James III, known as Reaper Rick, and Kelby Ray Carter as Squinty Joe.In the film, Reaper Rick, a young ex-military man estranged from society, resides in the countryside, immersed in an arsenal of weapons and a sea of conspiracy theories. The distrust of the government fuels his detachment, leading to an isolated life largely communicated only through brief radio HAM conversations with his only friend, Squinty Joe.Reaper Rick's character brilliantly portrays the façade of a naive, outdated man. The story critiques the paranoia-infused attitudes often seen in pop culture's UFO narratives, subtly highlighting the paranoiac trend of preparing for an alien's arrival as a potential warfare scenario. This raises unsettling questions about humanity's potential behavior and its slide into catastrophic consequences. In less than 20 minutes, you could feel reflected in Reaper Rick's experiences.

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IndieWire's Top 25 Films of 2023 Unveiled: "Past Lives" Claims the ThroneIndieWire, a beacon in the #film industry, recently revealed its meticulously curated list of the 25 best movies of the year. Topping this prestigious lineup is "Past Lives," a cinematic masterpiece helmed by director Celine Song.This unveiling marks a momentous occasion as the initial top ten from a major outlet in 2023. David Ehrlich and Kate Erbland from IndieWire kick-started the rankings, delivering an eclectic selection that leans heavily towards indie cinema. Notably absent from the top ten are blockbusters like "Barbie," "Oppenheimer," or "Killers of the Flower Moon."While personal preferences might vary, this compilation stands as a commendable overview of a year brimming with cinematic excellence. It encapsulates the essence of a robust and impactful year in the world of movies, setting the stage for the flood of anticipated top lists to come in the days and weeks ahead.1. Past Lives 2. The Taste of Things 3. Asteroid City4. The Boy and the Heron 5. May December6. Poor Things7. Passages 8. Anatomy of a Fall 9. All of Us Strangers 10. The Zone of Interest 11. A Thousand and One12. Barbie13. The Delinquents14. Oppenheimer15. Killers of the Flower Moon16. R.M.N17. Love Life 18. Pacification19. Kokomo City20. La Chimera21. Spider-Man: Across the Spider-Verse22. Earth Mama23. Are You There God? It's Me Margaret24. Godland25. Beau is Afraid

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Thoughts on "Thelma", "Forrest Gump" at 30, "Blur: To the End" and "Hundreds of Beavers", plus "Little Sister" on demand, a Cheng Pei-Pei obituary, and the weekend charts and picks. Hoping for better in the repechage.https://lnkd.in/gfUUgWh#film #artsandentertainment #streamingmedia #documentaryfilm

My Two Cents About The 2010 Movie "Inception"Would one say, notably the "Fanboys," that I'm a philistine for thinking Christopher Nolan's Inception wasn't as great as how paid-mainstream film critics (e.g., rottenromatoes.com) have rated it to be...?If you ain't in the know, the 2006 Paprika (Japanese: パプリカ), an anime movie, handles the topic of dreams in a very talented way. It is very artistic visually and psychologically. Also, the way the film layers the story, carried out the transitions and the question of dreams merging with reality is done in a completely cogent manner.For what it's worth, Paprika acts as though dreams are within a seemingly non-linear manner, whereas Inception relies heavily on its beautiful sound editing and scoring, courtesy of Richard King and Hans Zimmer (respectively).Inception on the other hand, touches on the topic of dreams in such a pretentious approach. Everything is much too straight forward; scenes work too normally for it to be a dream. It also has some nonsense CGI, trying hard to be original and mind-bending for typical cinema buffs.To add more context, Nolan's weakness has always been the dull and anticlimactic action sequences, and the "Inception is no exception." And he seemed to have only put a little effort into making each dream sequence feel like an actual dream. Hmm... "I guess too much imagination and not so much execution could suppress dreams, pun intended."All things considered, I don't find the movie Inception impressive and transcendent. Paprika on the other hand, co-written and directed by Satoshi Kon, is a "Masterpiece."

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Guru Dutt’s films have always been relevant. But more than ever today because here was a master who insisted we feel, introduced us to heartbreak, pathos and failure, and what it meant.In a society that refuses to feel, and is so keen on deciding feelings, it’s important to go back to his films and submerge. And feel, a frame at a time.My new piece for Outlook. Do read.#Cinema https://lnkd.in/gHUtnVB3

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